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Indulge me for a moment, my dear fellows, for of late I have been editing steampunk fiction. This is an undeniable pleasure as I revel in Dickensian English expression, and I have a penchant for flying machines and sky pirates.
Steampunk came to be in the glorious decade of the 1980s with an esoteric community of Victoriana-inspired science and fantasy fanaticists. It is oft characterised by a blending of Victorian styles and methods of invention with modern or fantastical science: steam-powered or clockwork everything. Steampunk has grown from a small cosplaying subculture into a popular literary genre and its imagery is pervading mainstream media.
Take Doctor Who: The new title sequence is filled with cogs and Victorian London is regularly visited, including encounters with automatons. The Orient Express episode certainly puts it high on steam credentials, but some purists argue it’s all steam and not enough punk.
Also on the telly, there was an episode of Castle wherein Nathan Fillion (who should be in all things always) wore the Dr. Grimmelore Superior Replacement Arm – and looked fabulous, as he would in anything.
Most people would agree that the film Wild, Wild West is steampunk. Most people would also agree it’s terrible, but that’s beside the point. It’s set in the correct time period and features mad scientists, extraordinary adventures and rather impressive clockwork nemeses. But which film managed to get steampunk added to the dictionary? To find out, click here.
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