I love a bit of fictional revisionism, especially when women triumph. I am thus delighted by The Holmes and Hudson series wherein Mrs Hudson proves herself to crucial to solving Sherlock’s cases. Mrs Hudson and the Spirits’ Curse is witty, pacey and involving. The central mystery concerns a tropical curse, a series of locked door murders, and a rather shifty butler.
I particularly enjoyed the brief, unelaborated allusions to past mysteries she’s solved that are just casually slipped in:
‘Had she not realised the importance of the half-eaten omlette and the train ticket for Bodmin, we would never have discovered the bungalow near Scarborough, and Bertie would most certainly have committed bigamy with the undercook.’
What I love most about Mrs Hudson is that her domestic knowledge is part of her superior intellect: she sees things that a gentleman wouldn’t see; she has an army of grocers’ lads and errand boys to give her the word on the street. The juxtaposition of detection and domestic is glorious; every now and then she will whip out a vital piece of evidence that she’s put in the cutlery drawer for safe keeping.
As is the convention in detective fiction, the novels are narrated by an involved, but not titular character. In this case, the housemaid, Flotsam, which nicely mirrors the Sherlock/Watson relationship. Flottie is a great character: observant, sharp and willing to learn.
It’s a great idea, nicely done, and ideal for a long winter evening. I’m reading the next in the series as soon as I’ve finished typing this.
Filed under books, Reviews
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Indulge me for a moment, my dear fellows, for of late I have been editing steampunk fiction. This is an undeniable pleasure as I revel in Dickensian English expression, and I have a penchant for flying machines and sky pirates.
Steampunk came to be in the glorious decade of the 1980s with an esoteric community of Victoriana-inspired science and fantasy fanaticists. It is oft characterised by a blending of Victorian styles and methods of invention with modern or fantastical science: steam-powered or clockwork everything. Steampunk has grown from a small cosplaying subculture into a popular literary genre and its imagery is pervading mainstream media.
Take Doctor Who: The new title sequence is filled with cogs and Victorian London is regularly visited, including encounters with automatons. The Orient Express episode certainly puts it high on steam credentials, but some purists argue it’s all steam and not enough punk.
Also on the telly, there was an episode of Castle wherein Nathan Fillion (who should be in all things always) wore the Dr. Grimmelore Superior Replacement Arm – and looked fabulous, as he would in anything.
Most people would agree that the film Wild, Wild West is steampunk. Most people would also agree it’s terrible, but that’s beside the point. It’s set in the correct time period and features mad scientists, extraordinary adventures and rather impressive clockwork nemeses. But which film managed to get steampunk added to the dictionary? To find out, click here.
The full version of this article was written for and appears on the Momentum Books blog. To continue reading click here,
Filed under books, Editing